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博碩士論文: 客家大戲表演型態之研究=The Research Of Hakkas Major drama performance condition research

  • 作者:李文勳(Li Wenhsun)(研究生)
  • 其他作者:林谷芳(鄭榮興)(Lin Goufong)(Zheng Junghsing)(指導教授)
  • 語文:中文
  • 出版者:佛光大學 
  • 系所名稱:藝術學研究所
  • 學位類別:碩士
  • 出版日期:2008
  • 畢業學年度:96
  • 頁數:190
      • 關鍵詞:客家大戲、改良戲、三腳採茶戲、胡撇仔、歌仔戲、四平戲、亂彈戲、京戲、臺灣新劇、Ha-ga opera、Gai-liang Xi、Ha-ga San-Jiao Cai Cha Xi.、O-pei-la、Taiwanese Opera、Su-Ping Xi、Luan-Tan Xi、jin Xi、Taiwan hsin-gju
      • 國家:臺灣

      摘要:

      臺灣的「客家採茶戲」,在多元的文化環境之下,快速的由小戲模式,逐漸成長為大戲形式。這數十年間的蛻變,客家戲的改良,是造就它成為大戲的關鍵,而改良的時空背景交錯,文化環境複雜,它是如何擴充自我的表演格局以及發揮市場能量,讓它成為風靡一時的本土傳統戲曲。
      對於「客家改良戲」一詞,在各種文獻研究資料來看,似乎無法與亂彈、四平、外江戲、歌仔戲清楚切割,雖然改良戲是在台灣客家三腳採茶戲的基礎上衍變而成,但在改良的過程中,也因為台灣錯綜的歷史環境之影響,使得客家戲向與台灣的亂彈戲、四平戲、外江戲等互相學習、移植。尤其在外台時期的劇場競爭之衝擊下,與各個劇種競逐同一個表演舞台,使得台灣三腳採茶戲逐漸改良,從原本的採茶小戲轉變成為客家大戲。這個階段,是靠著何種的舞台能量,造就它成為大戲?其主要因素為何?筆者從一個以演員的角度,以「客家大戲表演型態」做為研究之主題,以改良戲的作品重現為研究基礎,籍以發掘它的定位與走向,探討它的存在價值與未來的趨勢,讓台灣的客家戲曲歷史定位與文化之傳承,能夠有所貢獻。
      Developing under mutiple cultures,「Ha-ga opera」in Taiwan quickly changed from operetta to opera. Through decades’ evolution, reform is the key that makes it significant and popular. How did the performance and marketing expand so quickly, and make「Ha-ga opera」a hit of traditional local opera.

      In the documents and research reports, it seems that we can’t definitely seperate 「Ha-ga opera」from Luan-Tan,Su-Ping, Wai-Chiang Xiand Taiwnaese opera. During the process of evolution, although the origin of 「Ha-ga opera」 is Taiwan Ha-ga San-Jiao Cai Cha Xi., it has been greatly influenced by Luan-Tan;Su-Ping;Wai-Chiang Xidue to the complicated history background of Taiwan. During the era of outdoor performance, the impact of competition had made Taiwan Ha-ga San-Jiao Cai Cha Xi. gradually improved, and transformed into 「Ha-ga opera」. What makes it a hit? What are the factors of its success? The theme of this report is「The Performance of Ha-ga opera」. It is written from the viewpoint of an actor, and based on the reappearance of Gai-liang Xito find its clutural value and new direction to process.

      目錄:

      Developing under mutiple cultures,「Ha-ga opera」in Taiwan quickly changed from operetta to opera. Through decades’ evolution, reform is the key that makes it significant and popular. How did the performance and marketing expand so quickly, and make「Ha-ga opera」a hit of traditional local opera.

      In the documents and research reports, it seems that we can’t definitely seperate 「Ha-ga opera」from Luan-Tan,Su-Ping, Wai-Chiang Xiand Taiwnaese opera. During the process of evolution, although the origin of 「Ha-ga opera」 is Taiwan Ha-ga San-Jiao Cai Cha Xi., it has been greatly influenced by Luan-Tan;Su-Ping;Wai-Chiang Xidue to the complicated history background of Taiwan. During the era of outdoor performance, the impact of competition had made Taiwan Ha-ga San-Jiao Cai Cha Xi. gradually improved, and transformed into 「Ha-ga opera」. What makes it a hit? What are the factors of its success? The theme of this report is「The Performance of Ha-ga opera」. It is written from the viewpoint of an actor, and based on the reappearance of Gai-liang Xito find its clutural value and new direction to process.